The Mythology of the Present
From "Arte in corso" of 31 October 2006

Vanni
Criticism

The Vanni art - in which the three strong ethnic components of southern culture seem to merge: classicism, the East and the Norman - is above all marked by the great descriptive capacity and sensitivity that shows his making art in a pleasant and original way . The peculiarity of his works is represented by the depth of the images conceived in natural scenarios and in contexts of uncontaminated purity. The strength and the pictorial intensity of the Maestro go well beyond the interpretation of the truth to become a pretext for a personal and exclusive chromatic play, an unmistakable privilege of his style that can be defined as a lyrical expression of reality as it is read by 'artist. In this regard we can quote the great Picasso: “painting is the blind person's job. He does not paint what he sees but what he thinks, he tells himself what he has seen ”.

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The Lights of the Cyclades

From "Latina today" of 14 May 1993
Criticism
“I love these places made of white, of sun, of harsh and ancient images like the land where the Gods lived, giving paganism to the men of that time and to us the regret of the past”, says Vanni. In this series of works, the artist, ... ➔

The Mythology of the Present

From "Arte in corso" of 31 October 2006
Criticism
The Vanni art - in which the three strong ethnic components of southern culture seem to merge: classicism, the East and the Norman - is above all marked by the great descriptive capacity and sensitivity that shows his making art in ... ➔

Impressions, signs and talents in the history of man

From History and Culture of "Chronicle Eugubina of 13 September 2019"
Criticism
Vanni's pictorial exhibition is dedicated to the messages and feelings conveyed through the COLORS. On this occasion, the Master had the opportunity to discuss the emotional encounter between art and man in an artistic seminar. In particular, ... ➔

TRAVELING BETWEEN VENICE AND THE AEGEAN SEA

From the newspaper Il TEMPO of February 28, 1996
Criticism
After a long artistic stay in France and Belgium, Vanni proposes a pictorial journey particularly dear to him: an ideal journey from Venice to Naxos. The Master's color palette was prepared for the occasion to accommodate a synthesis ... ➔

With Vanni on display the colors of Greece

From the newspaper "L’E’CHO of Brussels of 2 May 1997
Criticism
In Brussels of 2 May 1997 Vanni, after having completed his first artistic studies in Rome, enriches his pictorial career in Paris where he lived for several years attending, therefore actively living, the artistic world of the French ... ➔

Two notes on Vanni's works and poetics

by Marcello Pecchioli
Criticism
Let's talk about color, colors and landscapes. Vanni's images have to do with the brightness of Mediterranean landscapes, with a chromatic palette that we find in the sea views, in the corners and in the ravines of a nature not violated, ... ➔

The Mythology of the Present

byGianluca Tetaldi
Criticism
The choices of contemporary painters can vary in an extraordinary way and, indeed, the style is basically conceived as the ability to find an unprecedented expressive system. This style, however, has a cultural depth that determines ... ➔
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