TRAVELING BETWEEN VENICE AND THE AEGEAN SEA
From the newspaper Il TEMPO of February 28, 1996

Vanni
Criticism

After a long artistic stay in France and Belgium, Vanni proposes a pictorial journey particularly dear to him: an ideal journey from Venice to Naxos. The Master's color palette was prepared for the occasion to accommodate a synthesis of water and light. The canvases are fiery, sparkle, flare, almost sparkle in showing the most essential images of Venice and the shining Mediterranean. Few characters or walls against which the silhouette of shadows or dazzling lights lead to a perfect chromatic harmony. The Master's vision goes beyond the face of things to discover their intimate and secret value. The source of inspiration does not arise from the mind, but from harsh reality. There is a sort of geometric will, the fluidity, the momentum of color rest on a linear path and a skilful contrast of colors. His gaze stops there where the junction of a thing or an atmosphere inspires him. The essential but at the same time also the immensity of the Venetian lagoon and the Aegean sea emanates from the artist's canvases. Nature is sumptuous and disturbing, it is located beyond itself: the plants are green, purple, yellow, with the foliage often tormented by the wind, the rocks cover the hardness and the light of the enamel, the figures are enigmatic silhouettes that they seem to be content with existing, the lines are of an insolent purity.

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The Lights of the Cyclades

From "Latina today" of 14 May 1993
Criticism
“I love these places made of white, of sun, of harsh and ancient images like the land where the Gods lived, giving paganism to the men of that time and to us the regret of the past”, says Vanni. In this series of works, the artist, ... ➔

The Mythology of the Present

From "Arte in corso" of 31 October 2006
Criticism
The Vanni art - in which the three strong ethnic components of southern culture seem to merge: classicism, the East and the Norman - is above all marked by the great descriptive capacity and sensitivity that shows his making art in ... ➔

Impressions, signs and talents in the history of man

From History and Culture of "Chronicle Eugubina of 13 September 2019"
Criticism
Vanni's pictorial exhibition is dedicated to the messages and feelings conveyed through the COLORS. On this occasion, the Master had the opportunity to discuss the emotional encounter between art and man in an artistic seminar. In particular, ... ➔

TRAVELING BETWEEN VENICE AND THE AEGEAN SEA

From the newspaper Il TEMPO of February 28, 1996
Criticism
After a long artistic stay in France and Belgium, Vanni proposes a pictorial journey particularly dear to him: an ideal journey from Venice to Naxos. The Master's color palette was prepared for the occasion to accommodate a synthesis ... ➔

With Vanni on display the colors of Greece

From the newspaper "L’E’CHO of Brussels of 2 May 1997
Criticism
In Brussels of 2 May 1997 Vanni, after having completed his first artistic studies in Rome, enriches his pictorial career in Paris where he lived for several years attending, therefore actively living, the artistic world of the French ... ➔

Two notes on Vanni's works and poetics

by Marcello Pecchioli
Criticism
Let's talk about color, colors and landscapes. Vanni's images have to do with the brightness of Mediterranean landscapes, with a chromatic palette that we find in the sea views, in the corners and in the ravines of a nature not violated, ... ➔

The Mythology of the Present

byGianluca Tetaldi
Criticism
The choices of contemporary painters can vary in an extraordinary way and, indeed, the style is basically conceived as the ability to find an unprecedented expressive system. This style, however, has a cultural depth that determines ... ➔
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